Discography

The bandcamps: https://deixhrist.bandcamp.com/ and https://birdorgan.bandcamp.com/music. The discog, and there is also a soundcloud.

Solo

Dei Xhrist: I’m Sorry To Ruin Your Day So Early
Dei Xhrist: Locusts of Control
Dei Xhrist: Safe As Empty Houses
Dei Xhrist: The View From My Shoulders Is Fine

A song played on the radio – WCSB Cleveland:  https://www.wcsb.org/wp-content/themes/wcsb2019/player.php?archiveid=51


Ensemble

Collapsing & The Intrepid Vocalizers: Lingual Flavorings
The COVID 19: Stay Home
Elka Bong: ziPlocKbaG
Al Margolis/Brent Gutzeit: Graphic Scores
Demi Exegesis: Viscosity
Leap of Faith: Basepoints
Tyto Alba Quartet: First Sparrow
Demi Exegesis: I Closed My Eyes And It Was Terrifying
Xhristishoe: Why Don’t You Do Right
Birdorgan : Le Petite Mort de los Muertos
Birdorgan : Gorn
Birdorgan : Sammlung
Birdorgan : First Reenactment of the Second-And-Halfth Defenestration of Prog
Birdorgan : …Or A Woman Varying Her Pleasures
Birdorgan : Collaption
Birdorgan : Serinette


Various Artists/Comps

V/A: The Avant Garde A Clue Companion
V/A: P.A.I.N. In New England
V/A: Halloween Is The Dream
V/A: Ghost Ship Love Letters


Listed chronologically.

Collapsing & The Intrepid Vocalizers: Lingual Flavorings

“Over the course of about a year, I compiled recordings of The Intrepid Vocalizers while on tour, at AfterMAF 2024, and in the local area. The Intrepid Vocalizers are a hodgepodge of various avant-gardists from across the east coast of the US and slightly inland. The age range spans nearly 80 years! The raw recordings were then chopped into samples and fed through various electronic programs and effects to achieve these results.” -Paul

The Intrepid Vocalizers: AG Davis, C. Mehrl Bennett, John M. Bennett, Steve Buscemo, CillaVee, Michael Clouse, Coyote Davis, Drew Davis,
Grayson & Zora of DOOMSDAY x3, Earwig Deluxe, Baseball Face, Tater Fraterabo, Blake Hornsby, Hacienda Irrevocably, Paul Keily, Kaontrol Kontraos, Gaia Lawing, Olchar Lindsann, Ezra Ohr, My Name is Ralph, Mr. Thursday, Jon White, Dei Xhrist, & Mág Ne Tá Z’air.

Released by Spaceship Lullabies – Link to Album

V/A: The Avant Garde A Clue Companion

“The AVANT GARDE A CLUE Festival was organized by Adam Arriota and took place between Oct. 7 thru the 1, 2024 at 75 Sutton St. in Rochester, NY. This Festival featured a staggering number of performers in a delightful onslaught to the senses – Vivid Projections, Dynamic Interactions, regular Ad Hoc Ensembles living & loving in the moment. It was an amazing event to behold, and a very special event to be a part of.
This compilation, open to festival participants, showcases a small portion of the diversity & sonic magnificence that was on display, featuring ad hoc collabs, many of the sets from the fest ( Or portions of ) and a wide variety of other delights – If you were there, enjoy revisiting the memories of this very special place & time, and if you weren’t there, consider this a glimpse into the possibilities that exist with just the right amount of magical visualization & sweat equity.”

Released by – Link to Album

Dei Xhrist: I’m Sorry To Ruin Your Day So Early

I hit an unreasonable amount of blocks creating this album, and no small frustration was the hum that I eventually identified as a damn hummy Monster Cable. But that’s such a great illustration by Morris Jurgensen.
Released by Cruel SymphoniesLink to Album

The COVID 19: Stay Home

19 musicians all improvising in isolation to produce 19 separate recordings, layered together into three pieces of music of 19 seconds, 19 minutes, and 2.5 minutes.
Released by Histamine TapesLink to album

Elka Bong: ziPlocKbaG

A solo track by Walter Wright (Board Weevil, contact mic, objects), joined by me (voice, Line 6 DL4, VoiceLive Touch 2) listening via headphones; finally joined and mixed by Al Margolis (alto clarinet, cello, Yamaha DX-9 synth).
Released by Elka BongLink to album

Al Margolis / Brent Gutzeit: Graphic Scores

Recorded while headphone in to another performer’s recording, and exquisite corpsed to the next one, then mixed. Limited edition of 100 with gorgeous letterpressed copies of the score.
Haha – Link to album

Dei Xhrist: Locusts of Control

So some guy on FB sent me a message, listing obscure female art/noise artists, and I ignored it because: FB/creepy creeps. When I finally responded, I learned he was a friend from college (second year SCAD), and what do you know, Psychic TV is a gateway listen to noise in all its beautiful discord.

These two pieces are my second attempt at extending signatures, layering, distortion and sampling using a live performance and a field recording. Track one is a creepy crawl through an abandoned bridge under the interstate to attend a glossolallic lecture for your degree in Cult Studies. Track two captures a lot of the atmospheric feel of a live event, with audience clatter giving way to a torch song of spreading wings gliding in to Lynch territory. Track 3 is back to the hymnal experience that is characteristic of my live performances.
Released by Park 70Link to album

Onomastic Records: Ghost Ship Love Letters

Track #14: Pearl Diver

On December 2, 2016, a tragic fire struck the Ghost Ship, an artists’ collective and DIY music venue in Oakland, California. 36 people were killed that night, including performers and audience members. ‘Ghost Ship Love Letters’ is a message of sympathy and solidarity, from alumni and friends of the electroFLUX Experimental Music Series in Erie, PA to the families affected by this event. All proceeds from sales of this compilation will go to the Fire Relief, Recovery, and Resiliency Fund established by Gray Area Foundation for the Arts, a 501(c)3 non-profit organization supporting the arts and technology in the Bay Area.

For more on how you can help, please visit grayarea.org. For more on electroFLUX, please visit facebook.com/electroflux.music
Released by Onomastic Records (2017) – Link to album

Demi Exegesis: Viscosity

Dei Xhrist, voice
Matt Samolis, flute
Emilio Gomzalez, piano
Guests: Dave Pek, reeds; Kat Dobbins, trombone, voice, objects

Recorded at Third Life in Somerville, October 11, 2016.
Released by Matt Samolis (2016) – Link to album

Leap of Faith: Basepoints

PEK: clarinet & contra-alto clarinet, alto, tenor & sopranino saxophones, dulzaina, contrabassoon, sheng, daxophone, goat horn, fog horn, taxi horn,   metal, game calls, whistles, siren, voice
Glynis Lomon: cello, aquasonics, voice
Bob Moores: trumpet, voice
Dei Xhrist: voice
Yuri Zbitnov: drums, metal, crotales, bells, voice

Recorded at Outpost 186, Cambridge MA November 2016.
Released by Evil Clown 9123 – Link to album

Dei Xhrist: Safe as Empty Houses

Dei Xhrist: voice
Matt Samolis: flute, voice

Recorded at the Anne Kramer Estate, Pickney Street Boston MA. Mrs. Kramer’s house was empty, available, a brownstone not remodeled since she moved there in the 70s.
Released by BopAnt Records (2016) – Link to album

Tyto Alba: First Sparrow

Dei Xhrist: voice
Matt Samolis: flute
Thadd Comstock: acoustic guitar
Ryan McGuire: upright bass

Recorded at Church of the Advent, Boston MA. The title refers to White Birch Brewing‘s retired First Sparrow – “weird yet quaffable.”
Released by BopAnt Records (2015) – Link to album

Demi Exegesis: I Closed My Eyes And It Was Terrifying

Dei Xhrist: voice
Matt Samolis: flute
Emilio Gonzales: piano, kalimba

Chamber music, of a sort. The title comes from an audience member comment about our performance at Trident Gallery in Gloucester, MA.
Released by BopAnt Records (2015) – Link to album

(Right, so the woman in the photo passed away the summer of 2015. I have been assured that she was A Character.) My second solo album was recorded in her empty house.

Xhristishoe: Why Don’t You Do Right

Dei Xhrist: voice
Matt Samolis: flute, voice
Jeoffrey Pooser: bass

Duo & trio recordings made on January 9, 2015 at Mamashoe World Headquarters, Wendell MA.
Released by Matt Samolis (January 2015) – Link to album

Dei Xhrist: The View From My Shoulders Is Fine

Dei Xhrist: voice
Marc Bisson: guitar

Voice is strongly featured in two live performances with Marc Bisson (guitar) and Greg Kowalski (live video manipulation). The first track was recorded the night I learned that Lisa Bufano had passed on, and before I realized how much our casual acquaintance had influenced me. Second track was recorded at 119 Gallery, Lowell MA during a show headlined by Jaap Blonk. The album title is a self-assured turn of the phrase, “if I have seen further, it is by standing on the shoulders of giants” (I. Newton). Released by BopAnt Records (2014) – Link to album

All the archetypes

Birdorgan: Le Petite Mort de los Muertos

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer

A radical departure in composition and form, with recurrent plein air performances. The last full album by the original core four.
Released by BopAnt Records (2013) – Link to album


Birdorgan: Gorn

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer

This one’s woody.
Released by BopAnt Records (2012) – Link to album

Birdorgan : Sammlung

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer

A speedy compilation of hits selected specifically for a performance at the White Haus.
Released by BopAnt Records (05/2012) – Link to album

birdorgan cd #6

Birdorgan : First Reenactment of the Second-And-Halfth Defenestration of Prog

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer

I found several catalogs of modern furniture, all chocolate and black and white and chrome and, most importantly, thick stock that made ideal CD sleeves. The handmade name stamp was revived, and a new stamp cut for the CD sticker, based on a self-amusing painting by Penny Bruce, who has been kind enough to hold the camera for many birdorgan performances. You can hear her laughing on the last track. The inset includes a folded page torn from an encyclopedia of North American birds. You know, the one without the gannet. Mike Fun flexed some lingual muscles for the song titles and the CD title. The actual One and Halfth Defenestration of Prague probably has little lasting effect on modern aldermen, while we certainly have chucked prog rock (and Kraut- and space-rock) out of the experiential window, with tiny confetti in their hair.
Released by BopAnt Records (08/2011) – Link to album

Birdorgan : …Or A Woman Varying Her Pleasures

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer
Released by BopAnt Records (2011) – Link to album

Remember those free AOL discs in metal tins and composite board boxes? We saved about 100. The bird silhouette was snipped from a scrap of sheet aluminum, and the legs are wire coat hanger bits hot glued to the back. I also glued a length of coat hanger to the back, so that I could hold the silhouette in place while I spray painted the surface after sanding and a base coat. And then this guy broke it.
Released by BopAnt Records (2010) – Link to album

Birdorgan : Collaption

Dei Xhrist: voice
Marc Bisson: guitar
Mike Dailey Jr.: drums, voice
Mike Fun: modular synthesizer

Here we have the themes of space and distance abstracted within the selections on this album. The maps were from 50’s – 70’s National Geographic magazines that countless households have saved to keep the closet from having too much storage space. The title was cut out of a scrap of Yupo paper, which has held up over 100+ sprays (cardboard, on the other hand, holds up for about 3 sprays).
Released by BopAnt Records (2009) – Link to album

Birdorgan : Serinette

Marc Bisson: guitar
Dei Xhrist: voice, electronics
Mike Fun: modular synthesizer

First edition released in a hand cut and folded box form made from some heavyweight artist’s paper that Pat O’Neil (Skincrime, Self Abuse Records) gave Marc when he moved. The dripped edge has one “finger” that tucks in to an oval opening to keep the package closed. A stamp made of a block of wood and some cut fun foam announces the band name. This edition of about 70 was a pain in the wrist. Look, Cricuts didn’t exist back then OK?
Released by BopAnt Records (2008) – Link to album


Other recordings on BopAnt Records

Birdorgan : Anger

Marc Bisson and Mike Fun performing a live score for Kenneth Anger’s Inaguration of the Pleasure Dome.

Released by BopAnt Records (2007)link to discog


Bop Ants : Why Do The Musicians Stand Behind Panes of Glass

Alternative cover

Marc Bisson with Katt Hernandez. The recording washes over you and pleasantly sets you adrift.

Released by BopAnt Records